周永志，1938 年出生，浙江東陽人?，F系中國書法藝術研究協會副主席，中國書畫家協會名譽主席，中央美術學院外聘書法教授書法博士生導師，中國教育聯盟客座教授。中國文化管理協會聘任的書法技師技能鑒定的培訓項目專家委員。
師法趙孟頫、懷素、張旭等書法大家融入自己的創造，創新，形成自己的書風，其書法特點，十分獨特稱著?！吨袊詹亍吩u其書法“筆勢縱橫，淋漓痛快……有強烈自我意識，并形成自己鮮明的特色”，香港書家評論他的字“形體美，氣勢美、意境美”三美結合?！端囆g與價值》點評周永志書作“大氣磅礴，揮灑自如，一時急瀉如風雨雷電，一時平靜如松生空谷……”
題寫了《長城謠》《黃大年》《在桃花盛開的地方》影片片頭。在景德鎮瓷品，茶具兩套國禮器皿上題字。與中國國際集郵網等部門合作出版了三套珍藏郵冊。單獨出版了四套草書掛歷。
先后發表了《在書法創作中貫徹“創造性轉化”“創新性發展”的幾點思考》等論文和《三十六小洞天》等詩歌多篇。
Zhou Yongzhi, born in 1938, is a native of Dongyang, Zhejiang. He is currently the vice chairman of the Chinese Calligraphy Art Research Association, the honorary chairman of the Chinese Calligraphy and Painters Association, a calligraphy doctoral tutor for external calligraphy professors at the Central Academy of Fine Arts, and a visiting professor at the China Education Alliance. The expert committee member of the training project for the skill appraisal of calligraphy technicians hired by the China Cultural Management Association.
Master Zhao Mengfu, Huai Su, Zhang Xu and other calligraphy masters integrated their own creations, innovations, and formed their own style of calligraphy. Their calligraphy characteristics are very unique. "China Collection" commented on his calligraphy as "vertical and horizontal, dripping and happy...with a strong self-awareness and forming its own distinctive characteristics", and a Hong Kong calligrapher commented on his calligraphy "beautiful in body, momentum and artistic conception". "Art and Value" commented on Zhou Yongzhi's book as "magnificent, swaying freely, suddenly rushing like wind, rain and thunder and lightning, and temporarily calm like a pine valley..."
Inscribed the film titles of "The Ballad of the Great Wall", "Huang Danian" and "In the Place where the Peach Blossoms Bloom". In Jingdezhen porcelain, two sets of national ceremony utensils, inscriptions. In cooperation with China International Philatelic Network and other departments, three sets of collection stamp albums have been published. Four sets of cursive wall calendars were published separately.
He has successively published several papers such as "Some Reflections on Implementing "Creative Transformation" and "Innovative Development" in Calligraphy Creation, and many poems such as "Thirty-six Little Caves".
